Dr. Write's Infirmary Pages: How can You Tell?


How Can You Tell?
Searching for the Truth in the Age of Technology
        

One of my favorite performers, Harry Anderson, is a magician as well as an actor and comedian. In fact, I suspect that magic is his first love. Harry performs a trick that's so realistic it's scary. I have watched in awe, from only a few feet away, as he takes a steel needle about a foot long and runs it through is arm. You can almost hear the crowd wince as Harry blithely draws the needle back and forth, taps one end of it so that the other end quivers, and chatters on, making jokes about the whole thing. It's a helluva trick. And I have never figured out how he does it.

One of my children was sitting with me once when Harry did that trick and when she shuddered and covered her eyes, I reached over and put my arm around her and whispered "It's OK, honey. It's just a trick."

She looked up at me, still averting her eyes from the man on stage, and said "How can you tell?"

And that's what this course is all about. Because even though you CAN'T tell about some things, you still know they're not real because of what else you already know. You know that it's extremely unlikely that anyone can run a needle through his or her arm and not suffer the pain or bleed or run offstage screaming. You know that you're watching a "show" and that the man performing is a "magician" who, by definition, does "tricks." And you know things about the human anatomy and about what happens on a stage when you put those things together with what your eyes tell you, so you conclude that it's simply not real.

Offstage Tricks
The underlying premise in a free enterprise has always been that the responsibility for determing the truth lies with the consumer. Over the years, some government controls have been introduced, but that premise remains. The information is out there; it's up to you to determine if the politician, car salesman, evangelist, or whever else, is lying.

Now, when I say lying I 'm not talking about the boldface lie from which we are generally protected by the law. I'm referring to the manipulation or hiding of facts which might otherwise work against the salesman. But where the sources of information were once or twice removed from the buyer, they're now at our fingertips, no further away than the click of a mouse button. The problem is this: along with our new ability to get to the facts, we must wade through mounds of data, most of it false and misleading, in order to get to "the truth." Most of it isn't as simple as a magic trick. And most of us don't know enough how to be able to tell what's "real" and what's not.

How You Can Become a "Fact Magician"
My hope is that you'll learn two things from this course. First, you'll learn how to go about finding the truth, the truth about anything you see, read or hear. Second, you'll learn how to sort through the tons of information that's available and find out what's useful and what's not.

But wait! There's more. Because, if you continue reading we'll throw in, absolutely free, the following fun activities. In addition to learning how to sort through information and find "the truth" you'll get to try some of the "tricks" that writers and speakers use to distort and manipulate information for their own purposes. You won't be as good at it as some of those who have spent years practicing, but like Harry Anderson, if you want to learn how and you're willing to work at it, you just might grow up to be a Fact Magician yourself.

My Aim is True
That's the title of an old Elvis Costelo song. He was referring to his intentions with his girl friend. (maybe her name was Allison, the title of another of his songs.) I mention this because that's the way this course is divided. We're looking at the truth on the basis of the writer's intentions. Whenever someone writes or speak or communicates in any way, he or she has intends to express one of four kinds of truth: Personal Truth, Literary Truth, Scientific Truth, or Pseudo Truth.

The lectures that follow focus on the writer's intentions. When Elvis said his aim was true, he meant that his intentions were honest. From now on, whenever you write, you ought to ask yourself..what are MY intentions?

The Four Truths of Communication
Talk, as they say, is cheap. (Just surf the Internet and you'll see--when you use your word processor to write you turn the talk into electronic impulses. Some people don't do this very well, but they may be good at things like speaking or drawing. Then again, people who write well may not be very good at those things. But as a student of writing, you have to concern yourself with words in a written (rather than spoken) form. Those concerns can be divided into how well an individual word, sentence, or paragraph communicates, (commonly called "grammar") and with the purpose and organization of your writing. In this course, we concentrate on the purpose and organization portion.

Whenever you put your thoughts on paper, you have a purpose, even if you aren't aware of it. As explained earlier, that purpose relates to the type of truth you're dealing with. There are four purposes:

Scientific Truth
The presentation of scientific truth follow very rigid rules of proof. Facts must be documented and the information must be presented as honestly, accurately, and completely as possible. Authenticity is important--communicating an accurate representation is critical. There's no room for opinion. All that matters is objectively presenting the facts. Following that, conclusions may be drawn, but they must be solidly based on the facts.

Personal Truth
The expression of personal truth is the opposite of scientific truth. (Some might call it "faith.") We usually find it in things like diaries or journals, which usually have little value to anyone but the writers. They are simply expressing what's true for them, what they believe to be true, regardless of whether it can be proven. Whether or not it can be verified or have meaning to anyone else is irrelevant. In fact, the author may figure that no one will ever read it (just as you certainly might not talk to yourself if you thought anyone were listening). Personal truth is limited to one individual and it's completely under the control of the writer. When you express you're personal truth you're not concerned with what anyone thinks.

Literary (or Fictional) Truth
While some writing provides an escape from ordinary life and some is just fun to read, some fiction (like stories, plays, movies, novels) provide a kind of truth that can't be found any other way. When you watch a movie or read a book and feel that it "rings true" you have found Literary Truth.

Literary truth is a lot like a camera; it does not attempt to make a judgement, but simply presents a picture. That picture is "taken" by a good writer who is simply saying to the reader "Here's how *I* see it. And the "it" of fictional truth is the "human condition." It's the writer's view of a piece of life as it is lived by his or her fictional characters. But those characters are representative of a truth which the writer sees and passes along to the reader.

This should not be confused with the next category (pseudo-truth) which sometimes uses the art of fiction to persuade the reader. The writer of fictional truth does not make value judgements about things; he or she simply presents them to the reader.

Pseudo-truth
When a writer wants to change someone's mind or change what they do, they usually try to find out what appeals to teir readers and present information which will convince them to think or behave differently. Advertisements are the most common examples of persuasive this; other examples include political pamphlets and religious sermons. Anytime someone plays "fast and loose" with the facts with the intention of persuading their reader, they are engaging in the pseudo-truth.

Now...read the following examples and see if you can determine which type of truth is being presented.

Now...click H E R E to check your answers.

Questions? For answers, send an e-mail to Dr. Write.

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